Print to Edit Your Content, Before Publishing.

Last week, I paid a writing coach a small chunk o’change to give me some guidance about creating content.  It feels like it takes too long to create the material that makes up my business life, from home study courses to blog posts to comments in the blogosphere.  I want to be faster.

As part of her coaching package, Ali Luke will review and edit up to 2000 words of your writing, so I sent her links to three substantial blog posts.  She pasted the content into MS Word and then used Word’s “comment” feature to share her thoughts about my material.

Friends, I am a bit miffed.  Her editorial comments were useful, and actionable (good “business” word there), and except for one or two tiny typos, substantial.  What struck me is that I probably would have seen most of the edits myself if I had printed the content onto paper and read my own material on the couch first.  I can make these edits for free.

To be true, Ali and I are 25 years apart in age, so she has an eye for my tendency to preach in a way that perhaps my peers wouldn’t sense.  That is good stuff.  And I’m not in any sense denying the value of her editorial suggestions–the fact is, I hadn’t seen the sticky spots she pointed out, and the posts are better for the changes.

Before I work with her again, however, I plan to print out all my site content, double-spaced, and sit down on the couch with a green pen (kinder on self than red) to edit and mark it up.  Then we’ll see what she has to say about flaws I can’t see myself, rather than sticky spots I would have seen had I looked.

Doing a “preview” out of WordPress and looking at the content on the screen is simply not the same thing at all.

In the course of preparing Hiring is Hard:  How to Hire Your Third Employee for release, I printed the entire document (150+ pages) at least three times.  I used a professional printer, so that I could get the document bound.  Reading a “real” manual made the needed edits jump out at me in a way they simply didn’t when I looked at the material on the screen.

It may be that people who learned to write on computers have a different editing process, and that printing, for them, is a waste of time.  Can’t say.  All I know is that for those of us who learned to type on manual typewriters, who thought correcting Selectrics were simply the greatest thing since sliced bread, printing out a blog post and taking a good look at it with an editorial eye while you sit on the couch can do wonders for your internet expert status.

Use a good picture

Clearly, I am not a big believer in the power of photographic illustration for my blog posts.  I had to laugh this morning, when I received an email newsletter with the heading, “Three Hurdles for New Businesses” and this illustration:  Hurdler wearing socks

People who know me in person understand what I mean when I say, “both feet rarely leave the ground at the same time anymore.”  I have never been a hurdler, or a runner of any distance, for that matter.  I put the shot in high school.  But even when I was in high school (back in the dark ages, when high school athletes first started weight training and Wake Forest football trounced the ACC because their players worked out in the gym in the off-season), hurdlers worked to get over the hurdles as smoothly as possible.

Good hurdling looks like this.

So what am I supposed to think when the illustration is completely wrong for the point of the article?  I get that images are supposed to capture the eye and engage the mind and make your writing more interesting to the casual reader.  Just sometimes, you create exactly the WRONG outcome.

Creating High-quality Audio Files

I drive about 500 hours a year, and I listen to audio files most of the time I’m in the car, especially when I’m on the longer legs of a journey.  I listen to lots of “how to be in business” content, as well as the occasional fiction; recently, I discovered college classes available for free from Open Yale.  At 500 hours a year, a body gets a feel for what makes a good audio file and those courses from Yale crystallized my thinking. Here are some suggestions that can make your audio files easier to listen to, and perhaps, therefore, easier for your listeners to recommend to their friends.

File naming

Remember that MP3 players sort and display by the Title field, while many people work with their files by file name. Ideally, the two should be the same. If you are selling a series of files to your listening audience, it can be helpful to select file Titles that alpha-sort in the correct replay order. If you want your listeners to be able to select your file from a list in their player, you may want to think about including your name (or business name, or series name) in the file name. We your listeners are more likely to remember that we wanted to listen to “that latest download from John Gold” than we are to remember exactly what he called it.
We have the length of a red light to find the file. You can help us find your file, or not. We’ll listen to whatever comes next on the player when the light turns green if we haven’t found your file yet. (In addition, if your listeners are likely to be wearing reading glasses, they may not be able to see the display clearly anyway. The shapes of names we know are more easily recognized than the shapes of words in a title we don’t remember.)

Technical tweaks

  1. Repeat the name, host and basic identification information of the call after you start the recording. It’s disconcerting to be dumped into a conversation with no way to verify which file queued up next in the MP3 player, esp. when your listener may have loaded a dozen MP3 files onto a player at one time, and be driving on the highway while listening.
  2. If the call belongs to a series or package, identify its unit within the package.
  3. If the call has any kind of seasonal content, identify the at least the month or time of year during the introduction.
  4. Please please please put a large audience on auto-mute. Unless audience members have practice participating in large corporate conference calls, your call-in audience hasn’t learned to keep their own phone on mute. We, the listeners of your recorded product, do not want to hear you asking users to “press *6” a dozen times as people turn away from your content to address their own lives. I decided against purchasing a collection of one vendor’s products because the vendor managed “group mute” so badly on the free example audio files.  I lost access to her content.  She lost access to my $250.
  5. Lock your own dog up.
  6. Make sure the conference call software does not audibly announce hangups. It’s embarrassing to hear people drop off in the middle of the call and the speakers working not to pay attention to tones announcing that one more person got bored and left the call.
  7. Listen to the prompts your conference call software gives when you put the audience on and off all-mute. “Presentation mode enabled” takes eight syllables to convey two syllables of information: mute on.
  8. Consider your vocal volume, particularly for female speakers. The older your audience, the more likely they are to have some hearing loss. Please adjust your recording volume so that they can increase the playback volume on the audio file, if needed. More than one MP3 file is inaudible in parts to me because the speaker allows her voice to get very soft.  (Few files recorded by men have this problem.) I am already have the volume cranked all the way up. (People who sell much more product record at a louder volume, and I am able to adjust the volume on their files downward.)
    Note: It turns out that some conference call software has trouble with the volume for “remote hosts,” that is, when the voices of two people in different locations both matter to the quality of the call. (This is less important in a Q&A setting, where the host can always (and should) repeat the question.)
  9. About those Umms and Uhhs: listen to yourself before you distribute the call. You will give a better impression of your expertise if you edit them out. Better yet, learn how not to use filler words and phrases in the first place: See the post, “Umms in Public Speaking” for a simple and easy-to-implement fix.

Content considerations

It’s highly probably that the worst offenders will not see themselves in the following items, in part because they have never given the matter serious consideration.  Here’s a hint:  they call it content for a reason.

Fill your audio file with CONTENT.  Real information, steps, facts, your experience, perhaps even stories.  Dale Carnegie teaches the “incident, point, benefit” model for public speaking and it works.  Following any of a number of similar models helps speakers stick to the point.  Read Made to Stick and check your transcripts against Chip and Dan Heath’s six factors.
Get the “I love us all, aren’t we great” welcome messages out of the way before you start the recording. I don’t want to hear very much at all about how fantastic, unique, special, devoted, determined, or any other adjective describing the audience, we all are for having the wisdom, good sense, foresight, judgment, or lack of productive alternatives to be on the call today. Chances are, I couldn’t make the live call and I’m listening to the recording some months later anyway.

Consider carefully before veering off into opinion or advice that you are not linking to a specific situation or incident.  Very few speakers are skilled enough to deliver useful opinions into the ether.  (I might add that few professional commentators are, either, but I don’t buy their files and they don’t read my blog.)

Interviews are particularly vulnerable to this problem.  The host says, “tell us what you think about creating products….” and the guest goes off into, “Well, you have to work really hard to figure out what your audience wants…” and “then you may not sell very well if you don’t get your launch right…” and “people want to do joint ventures with me but they don’t bring a good game to the table…” and on and on and on.  I yearn for a audio file transcript that I could edit with a red pencil, crossing out entire paragraphs of rambling opinion that fails to educate.

Here’s another hint:  I don’t care what you think.  I care about what you know, and about what you did, and what happened, and possibly about what you would do differently next time, as long as you can point to the reasons you would try something different.

I grew painfully conscious of rambling in audio files after listening to Kelly Brownell at Yale talk about food politics for semester.  In 30 hours of audio downloads, Dr. Brownell and his guest speakers don’t waste a sentence on unsubstantiated opinion; every lecture is full of tangible facts and real information about food as we produce and consume it around the world today.  Similarly,  Ben Polak, although inclined to a few filler words and phrases, manages to deliver his understanding of Game Theory week after week without diverging into unsupported opinion.

I came back to “amateur” audio files with a shock as I found myself daydreaming not long into a call.  I couldn’t have told you what the host and guest were saying.  The third time it happened, I caught on.  The speakers weren’t saying anything–that was the problem.  It was just opinion, and advice, and telling us to work hard, and be original, and this, and that, and other rambling.

Phooey.  Give me Game Theory if you can’t give me real marketing.  At least Game Theory can explain elections.

You are (so) not in charge

I listen to a lot of internet marketing advice, and I subscribe to blogs about productivity and email management, and I hear advisers telling me to “train my readers to open my email” and “plan your mailing to get your email opened” and “manage the customer experience” and all sorts of other blather that’s beginning to go a bit stale. You are not in charge of the customer experience. You can do a good bit to help the customer have a better experience in doing business with you, and most of us in business should probably do more. But you are not in charge. You are (so) not in charge.

I’ve heard, and perhaps I’ve even given, advice to be cautious about accepting requests from Linkedin Connections who “don’t write a personal note.” I teach this stuff. OK. Today, Linkedin went off on a jag of its own, and sent out 12 requests for connection without offering me the opportunity to customize the message in any way. Oops. Better eat those words quietly. I was completely ready to customize the message, to “hide email addresses from recipients” so they wouldn’t be able to tell it was a group request (cross check against my Gmail address book), even to send the requests individually. But no. Linkedin jumped in and ran. And now 12 new people “think” I’m a goober who can’t be bothered to write a tailored introduction.

Maybe I’ll never write a tailored intro again, and simply default to the canned message, and then I’ll find out who thinks they “control the customer experience” according to who refuses the connection.

In a second example, I received a “request for confirmation” (opt-in) email from someone I’d purchased products from six months ago. I wrote to ask why I was getting this opt-in message now, when I’d been on his mailing list for a good while. He replied that he was changing providers and the new provider required a confirmation (which is, by the way, good practice). I replied that he could have included that fact in the requesting email.

Four days later, I found his first email, buried in my in-box. He had explained everything. However, I hadn’t seen it. Now, on one hand, I’m the fool, for replying with a pointed suggestion. OTOH, he sent two emails where one would do, doubling the chances of a misfire. We’re even.

The larger lesson? Be careful about drawing larger lessons when technology is involved.

I’m probably not the only person with friends who read email on their phones, who regularly DON’T see the second paragraph because they have replied to your first paragraph quickly. Clearly, Linkedin has different data flows, depending on how you come into the system. There’s probably a switch in my email application that would make it process “read” and “unread” in a different direction, rather than marking “unread” items as “read” in the wrong direction according to my habits, and maybe I’ll go look for it.

Or maybe not.

Blog Categories, Taxonomy, and the Dewey Decimal System

Ever pondered the list of blog categories any particular author uses to aggregate his or her posts?  Ever tried to categorize your own?  Easy, the first time or two.  But before you have very many posts at all, you have almost as many categories and you can’t quite remember why you put any one post in any particular category in the first place.

In an attempt to maintain some control and consistency in this website’s categories, I thought about who had been “doing categorization” longer than blogs have been around–librarians.  I spend more time in the local public library system than I do in university libraries, so the Dewey Decimal System was a natural choice.  I copied off the categories from Wikipedia and started editing the list, removing the topics I am pretty sure I’ll never write about.

The list itself makes for interesting reading:

000 Computer science
001 Knowledge
002 The book
003 Sex
004 Data processing & computer science
005 Computer programming, programs & data
010 Bibliographies

Now, I can see how “sex” and “the book” fall into nearby branches of a taxonomic tree, but I suspect a lot of people would be more likely to link “sex” and “the TV,” if they had to pick a communications medium.  Suddenly, a possible source of the idea for the movie Lars and the Real Girl takes shape.  (An aside:  see the movie if you’ve ever worked as, or near, computer programmers.  Also recommended is The IT Crowd, a comedy TV series from the BBC.)

Moving to the next set of shelves, we come to Philosophy.  While I might be seen to have a somewhat philosophical approach to some areas of my life, it’s not a topic I spent any time on in school.  The topic might well be served by deleting everything but the top level identifier.  (Missing numbers indicate the list has already been pruned.)

100 Philosophy & psychology
110 Metaphysics
114 Space
115 Time
116 Change
117 Structure
118 Force & Energy
119 Number & quantity
120 Epistemology
126 The self
127 The unconscious & the subconscious
128 Humankind
129 Origin & destiny of individual souls
130 Paranormal phenomena
135 Dreams & mysteries
137 Divinatory graphology
138 Physiognomy

But darn it, there’s “graphology” (and is “divinatory” graphology different from and shelved elsewhere than forensic graphology?) near the bottom of the list, and “physiognomy,” and that’s where librarians put the “facial analysis” books (I think), and those are both interesting areas of non-scientific reading that feeds intuition. But will I actually write about them, enough to need their own category? Would readers understand the connection if I did write a post about handwriting analysis (met someone who does forensic graphoanalysis in Linkedin Answers the other day) and then categorized it under Philosophy?

Questions like this keep taxonomists up late at night.

Religion is easy. Don’t expect a lot of posts about the topic on this website and should any appear, they can all go into the same bucket.

Social Science, which is a topic I would have said I don’t cross paths with much (my clients tend to be natural scientists), contains law, education, economics, and communications. This is going to take some thought.

Language falls like religion. Not a lot of posts (given that “communications” is a subset of Social Science, not language), and any that do get written can go into one category. (Ditto Literature. Thinking about the difference between Language and Communication and Literature makes me wonder what it was like to sit in the committee meetings when the system was originally devised… Are the minutes of those meetings available, and where would they be shelved?)

Eventually, I’ll edit the list and then print a copy for the wall next to my PC, and if I’m really on top of my game, I’ll enter the categories I decide to keep into WordPress so I don’t have to think about this every time I write a post.

And then I’ll go back through what I’ve written so far and recategorize.

Cash Register Kaizen

My corporate life was consumed by Six Sigma and process improvement.  While we rarely used the term “kaizen” (the tiny incremental changes that have been used to drive long-term improvement in factories), we nevertheless thought about the behavior constantly.  In my private practice, I support clients in the slightly more informal “Lean” office design, which is an apple that hasn’t fallen too far from the Six Sigma tree.

I was looking at my Sam’s Club receipt this morning and I noticed the sentence, “comment, continued on back…” I turned the receipt over to see: “items sold=2, the standard paragraph about doing a survey, the date and time stamp.” Although I have seen two-sided receipts before, generally they only contain standard boilerplate text that is printed before the paper is loaded into the cash register. This receipt had been printed on both sides, on the fly, as my purchases were rung. I thought about what it took to print receipts on both sides. It requires some changes in the cash register. It also required an investment in programmer’s time to write a routine that could determine how long the receipt was, then divide that length in half and print half of it on each side of the paper.

Receipts printed on two sides of paper use exactly half of the paper of standard receipts.  Sam’s Club must print an enormous lineal footage of receipt paper in the course of the business day. Halving the number of receipts they print is a guaranteed 50% reduction in the cost of receipt paper.

  • A little bit of research shows that receipt rolls cost $.40 each in boxes of 24; presumably Sam’s Club can get them, in bulk, at a lower price.
  • Additional research at my local grocery store indicated that a cashier can expect to change out a roll at least once a shift.
  • A rough estimate of register hours per business day at my local Sam’s Club yields approximately 70 hours; at eight hours per shift that’s roughly 10 shifts minimum*.
  • Wikipedia tells us that Sam’s Club had 713 locations in the United States in 2008.
  • That’s about 2 1/2 million rolls of receipt paper a year (713 stores * 10 shifts / day * *1 roll/shift * 363 days / year)
  • Allowing $.25 per roll and cutting the total in half comes to something like a $500,000 savings per year. That will buy a couple hours of programmer time**.
  • In addition to the absolute cost of paper saved, Sam’s Club would be able to save the cost of the cashier time lost to changing rolls, the customer dissatisfaction engendered by roll changing delay, the amount of paper they need to keep on hand, the cost of shipping that much paper etc. etc. and so forth.

I do what I can to be green in my life. I write on both sides of the paper. I printed on recycled paper I get from someone else’s office. I save water in the shower and I have a low flush toilet. However, it would not have occurred to me to invest very much effort at all in trying to reduce the amount of paper that goes through a cash register receipt. While I am not accustomed to thinking of the Wal-Mart empire as a bastion of traditional kaizen, I have to step back and take this little observation as inspirational. There are many tiny incremental improvements I could be making in my own life and work, things that require a small investment to get right in the first place and then reap the benefits thereafter. I will be looking harder for them.

2/2011 Update

This post was written in December of 2009.  Sometime between then and now, I met a district manager who managed 12 Sam’s Club stores.  I asked him about the value of the double-sided receipt printing.  He said, “millions.”  I have clearly underestimated all the costs of managing register tape.  One element not included in the list above is “waste.”  Clearly, register tape cardboard cores do not take up a lot of space in the trash, but Sam’s Club has made a major effort to increase the density of products they sell, thereby reducing the number of cartons they have to get rid of.  The manager told me they’d gone from twice-a-week to once-a-week trash pickup, which is a 50% reduction in hauling costs.

*Estimate derived by counting the number of registers open at the various times of day I shop.  It’s probably much higher because I will avoid the store if the parking lot is crowded, and one presumes that more registers are open when the parking lot is full.

**May we also assume the company that supplied the cash registers picked up most of the cost of making the programming change?

Book Design Matters

I finished War in the Boardroom, by Al & Laura Ries, last night. In the reading, I noticed that I found the book a bit more compelling than its content warranted, given that I am not now and will never be a “marketer,” per se. But I kept reading, long past when I should have been asleep. When I logged War into my reading list this morning, I noticed

Designed by Renato Stanisic

on the copyright page. Hmm. You don’t usually see designer credits on the copyright page. I googled Renato, found a Linkedin page, a Facebook page, and then a shout-out from The Waiter (Waiter Rant, vastly entertaining).

That makes two books in three days that I simply flew through, engaged, entertained, and informed, both designed by the same person. Now, I can’t argue that both books had excellent content. But LOTS of books have excellent content. What I know is that I’m reading a dozen books at any one time, and these two drew me in to FINISH. In contrast, I have to WORK to face a book about organizing that crammed far too much content into far too few pages and resorted to 6-point type to make the page count. My eyes hurt every time I see another pull-out quote in that book.

Design matters, even, or perhaps especially? when it comes to book content. I have self-published myself, and many people in the consulting fields are turning to self-publishing, and IMO, they could do well to give a bit more consideration to design than some of them are doing. I know the field is in disarray, with e-books and kindle shaking up the formats. However, I don’t believe an author can “give up” the points that accrue to good design. I don’t know what Mr. Stanisic makes to design a book; it’s not enough and it’s still more than most POD authors can afford. However, a badly designed book will simply NOT garner the same quality of review as something that reads well.

Most of us give a thought to our appearance before we go to a networking event. We should give the presentation of our thoughts the equivalent amount of attention.

See also: Richard Hendel, On Book Design, Yale University Press, 1998.

PS: I wrote a note of fan mail to Renato via Facebook; he replied and provided a list of the books he had designed. I think I’ve read a few.  Since then, I’ve added “designer” to the list of data elements I keep in my “Books Read” list.  More and more books identify the designer on the data page after the Title page.

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